The History of Indonesian Batik

Long ago, in the ancient period around 1500 years ago, the dye resist designs on the cloth were present in Egypt and the Middle East along with the two major countries, samples are also present in Turkey, India, China, Japan and West Africa around hundreds of years ago. In the present date, Batik is highly developed kind of art found on the island of Java, Indonesia. In the 17th century, the fabrics were highly decorated with Dutch transcripts, by it is often believed that complicated designs in Java were possible when the finely woven imported cloth that was from India to Indonesia in 1800s and then from Europe in 1815. The similar Batik designs that were completed on textiles earlier are noticed on stone statues that are beautifully sculptured on the walls of Javanese temples like Prambanan AD 800, but then it is not yet confirmed that the cloth was Batik. These designs could be produced by weaving techniques . However, by the 19th century became greatly developed kind of art in the cultural life of the Javanese.

Batik is an artistic technique of dyeing a cloth by using a wax-resist method. Wax-resist method is the most traditional way to dye or color a cloth. This method prevents the dye from spreading on the whole cloth and so as to give a beautiful pattern or design on the cloth. Batik is regarded as the cultural and traditional art in Indonesia. The traditional colors used for Batik are deep shades of indigo, dark brown and white which symbolize the three main Hindu Gods. Javanese Batik, from Jog Jakarta with some particular meaning is present in countries of West Africa like Nigeria, Ghana, Cameroon, Uganda and Mali with the true Javanese idea, and in Asia like India, Sri Lanka, Bangladesh, Iran, Philippines, Malaysia, Thailand and Burma.

Known as the great fans of art, Javanese royalty supported the development of traditional art form like silver embellishment, leather puppets known as wayang kulit in java and gamelan orchestra. The Javanese dalang (puppeteer) was a major source for the Batik patterns . Wayang puppets are made from goat skin which was treated and colored to build false impression on the puppet, were usually sold to ladies who could get the necessary idea of batik designs from these puppets. The used charcoal and blew it through the holes that portray the design of puppet clothing, so that they could copy complicated patterns onto the cloth.

There were some specific Batik designs worn by the Javanese royalty and thus it was felt that Batik was originally meant to be worn by the monarchs of the royal Sultan's palace. The Princesses and royal ladies might have encouraged the finest designs of Batik that reflect the traditional patters. Well, the untidy dyeing work with consequent waxing was completed by the court artisans who worked under their direction.

However, some students deny the fact that Batik was originally meant for royalty as they feel that it is meant for the rakyat, the people . It was regarded as a significant job for young ladies of the Central Java, revealing the fact that they are capable enough to handle a canting (an device shaped like pen to apply wax to the cloth) with enough tact and skill  like skills used in cookery or other household arts.